by Tom Dulack

directed by Michael Parva 

costumes by Lux Haac 

lighting by Graham Kindred

sound by Quentin Chiappetta

produced by The Director's Company 

59E59 Theatre A  

"To heighten the feeling of a clock-ticking political thriller, The Road to Damascus takes place on a slick, sterile set that strikes a balance between modern and minimal, the perfect stage for the back room machinations and clandestine meetings the play delivers." –

  “Brittany Vasta's versatile set of conservatively contemporary white chairs and wooden tables oozes power and privilege.” –